#Uncontrollable lust code code

Although the principal character is male, females are central to noir plots.(usually men), struggling to survive - and in the end, ultimately losing. Distinctively, they were cynical, tarnished, obsessive (sexual or otherwise), brooding, menacing, sinister, disillusioned,frightened and insecure loners These protagonists were often morally-ambiguous low-lifes from the dark and gloomy underworld of violent crime and corruption. Heroes (or anti-heroes), corrupt characters and villains included down-and-out, conflicted hard-boiled detectives or private eyes, cops, gangsters, government agents, a lone wolf, socio-paths or killers, crooks, war veterans, politicians, petty criminals, murderers, or just plain Joes. Media Studies - A resource book for Year 13 Students , Chesterman, S & Winnall, A The weakest of such characters exhibit an abundance of tragic flaws, often including an uncontrollable lust for duplicitous women.For example, Humphrey Bogart (the actor perhaps most associated with the genre) as private eye Sam Spade in The Maltese Falcon is emotionally indifferent to the murder of his partner and avenges his death primarily because “when one of your organization gets killed, it’s bad business to let the killer get away with it.” Such compassionless pragmatism is found in the most noble, as well as the most tarnished, of noir heroes.

#Uncontrollable lust code code

The ethics that these characters espouse are often borne more of personal code than true concern for their fellow man.

Richard Wanley in Lang’s The Woman in the Window, 1944). Although the “hard-boiled detective” is the stereotypical noir hero, the central male characters in film noir range from drifters (Frank Chambers in Tay Garnett’s The Postman Always Rings Twice, 1946) to college professors (Prof.They also exhibit an existential acceptance of random, arbitrary occurrences as being the determining factors in life. The heroes of noir generally share certain qualities, such as moral ambiguity, a fatalistic outlook, and alienation from society.They may have their own moral code but they will be out of step with society and ultimately powerless. Male protagonists are anti-heroes rather than heroes: often anti-social loners, cynical, disillusioned, morally ambiguous, flawed or tarnished in some way by their past.